marrowing is up at Peep/Show
If there are any readers of this blog
they will notice that marrowing
is a radical rewriting of the
blogging bach pieces
marrowing is my next book, I think.
Saturday, July 31
Thursday, July 22
House Reading at Sam's!
 | Sunday · 4:00pm - 8:30pm, July 24 |
|---|---|
| Sam and Michaela's house 4025 SE Taylor St. Portland, OR | |
JENNIFER BARTLETT SUSAN LANDERS and MARYROSE LARKIN Sunday, July 25th 4:00 pm There will be snacks and drinks. Jennifer Bartlett is the author of Derivative of the Moving Image (University of New Mexico Press). She lives in Brooklyn. Susan Landers is the author of 248 mgs., a panic picnic and Covers, both from O Books. She was a co-editor of the journal Pom2. Maryrose Larkin is the author of The Book of Ocean (i.e. Press) and The Name of This Intersection Is Frost (forthcoming from Shearsman Books). | |
Sunday, July 11
Portland Polyvocal Poetry July 18th!
Portland Polyvocal Poetry
Sunday, July 18th
2:00-4:00 pm
Ladd Circle
(SE 16th & Harrison, between Hawthorne & Division)
FREE
Performers, poets, and friends will gather to test the capability of the poem as conversation.
Many of the poems performed on Sunday will be from years past, and by poets no longer with us; others contemporary and presented by their authors. All will be performed by multiple voices, some by speaking or singing chorus, and several will include the opportunity for audience creativity and participation.
Please bring your own refreshments and accommodations for seating (towels or folding chairs).
Compositions by
David Abel
Kathy Acker
Endi Bogue Hartigan
Crg Hill
Bethany Ides
Jackson Mac Low
Jesse Morse
Jacqueline Motzer
Charles Olson
mARK oWEns
Chris Piuma
Leslie Scalapino
Nico Vassilakis
Karl Young
arranged and performed by
David Abel
Alicia Cohen
Tina Frost
Endi Bogue Hartigan
Crg Hill
Lindsay Hill
Bethany Ides
Maryrose Larkin
Devin Lucid
Jesse Morse
Jacqueline Motzer
Morgan A. Ritter
Standard Schaefer
Michael Weaver
David Weinberg
James Yeary
You
Thursday, May 20
I'm reading with Beverly Dahlen on Saturday in Tucson
I'm reading with one of my heros, for one of my heroes...please come
BEVERLY DAHLEN & MARYROSE LARKIN
A POETRY READING presented by Chax Press
at The Drawing Studio
33 S 6th Ave, Tucson (on 6th Ave downtown, between Broadway & Congress)
7pm Saturday, May 22, 2010
FREE ADMISSION ( a donation will be requested )
Selected books available for purchase
Refreshment provided
Question & Answer Session following the reading
Call 520-620-1626 for more information
Chax Press events are funded in part by the Tucson Pima Arts Council and by the Arizona Commission on the Arts, with funding from the State of Arizona and the National Endowment for the Arts. This event is also supported by Poets & Writers, Inc.
BEVERLY DAHLEN was born in Portland in November, 1934, attended public schools there, and after the end of World War II, moved with her family to Eureka, California. In 1956, she resettled in San Francisco. Her first collection of poetry, Out of the Third, was published by Momo's Press in 1974. Two chapbooks, A Letter at Easter (Effie's Press) and The Egyptian Poems (Hipparchia Press) were followed in 1985 by the publication of A Reading 1-7 (Momo's Press). Since then, three more volumes of A Reading have appeared (including A Reading 8-10 from Chax Press), as well as the chapbook A-reading Spicer & Eighteen Sonnets (Chax Press). Her essay "Beauty: Another Reading" recently appeared in Crayon 5. Ms. Dahlen was a cofounder, with Kathleen Fraser and Frances Jaffer, of the influential avant feminist poetics newsletter (HOW)ever ; in December of 2008 her work was honored by Small Press Traffic with their annual Lifetime Achievement Award.
Beverly Dahlen is one of the major reasons I have been a poet, one of the great pleasures I have as a reader, one of the lights that keeps me going as a publisher and human being. Her investigation is into the relation of language and language creation to being human. She is funny, political, deeply psychological. She explores the vast nothingness that exists in the universe, the unending dimensions of time and space. She makes me laugh and cry, she makes me think about what it is to think, what it is to be. She challenges me, and she rewards that challenge immensely. Her readings are an invitation to truly exist, i.e. to be there, listening and thinking, with all that one has to give. That is what she does, and that is what she allows us to do.
MARYROSE LARKIN lives in Portland, Oregon, where she works as a freelance researcher. She is the author of Inverse (nine muses books,2006), Whimsy Daybook 2007 (FLASH+CARD, 2006), The Book of Ocean (i.e. press,2007) and DARC (FLASH+CARD, 2009). Larkin is one of the organizers of Spare Room, a Portland-based writing collective, and is co-editor, with Sarah Mangold, of FLASH+CARD, a chapbook and ephemera poetry press. Her new book, The Name of This Intersection is Frost, is forthcoming from Shearsman Books.
BEVERLY DAHLEN & MARYROSE LARKIN
A POETRY READING presented by Chax Press
at The Drawing Studio
33 S 6th Ave, Tucson (on 6th Ave downtown, between Broadway & Congress)
7pm Saturday, May 22, 2010
FREE ADMISSION ( a donation will be requested )
Selected books available for purchase
Refreshment provided
Question & Answer Session following the reading
Call 520-620-1626 for more information
Chax Press events are funded in part by the Tucson Pima Arts Council and by the Arizona Commission on the Arts, with funding from the State of Arizona and the National Endowment for the Arts. This event is also supported by Poets & Writers, Inc.
BEVERLY DAHLEN was born in Portland in November, 1934, attended public schools there, and after the end of World War II, moved with her family to Eureka, California. In 1956, she resettled in San Francisco. Her first collection of poetry, Out of the Third, was published by Momo's Press in 1974. Two chapbooks, A Letter at Easter (Effie's Press) and The Egyptian Poems (Hipparchia Press) were followed in 1985 by the publication of A Reading 1-7 (Momo's Press). Since then, three more volumes of A Reading have appeared (including A Reading 8-10 from Chax Press), as well as the chapbook A-reading Spicer & Eighteen Sonnets (Chax Press). Her essay "Beauty: Another Reading" recently appeared in Crayon 5. Ms. Dahlen was a cofounder, with Kathleen Fraser and Frances Jaffer, of the influential avant feminist poetics newsletter (HOW)ever ; in December of 2008 her work was honored by Small Press Traffic with their annual Lifetime Achievement Award.
Beverly Dahlen is one of the major reasons I have been a poet, one of the great pleasures I have as a reader, one of the lights that keeps me going as a publisher and human being. Her investigation is into the relation of language and language creation to being human. She is funny, political, deeply psychological. She explores the vast nothingness that exists in the universe, the unending dimensions of time and space. She makes me laugh and cry, she makes me think about what it is to think, what it is to be. She challenges me, and she rewards that challenge immensely. Her readings are an invitation to truly exist, i.e. to be there, listening and thinking, with all that one has to give. That is what she does, and that is what she allows us to do.
MARYROSE LARKIN lives in Portland, Oregon, where she works as a freelance researcher. She is the author of Inverse (nine muses books,2006), Whimsy Daybook 2007 (FLASH+CARD, 2006), The Book of Ocean (i.e. press,2007) and DARC (FLASH+CARD, 2009). Larkin is one of the organizers of Spare Room, a Portland-based writing collective, and is co-editor, with Sarah Mangold, of FLASH+CARD, a chapbook and ephemera poetry press. Her new book, The Name of This Intersection is Frost, is forthcoming from Shearsman Books.
Wednesday, May 5
bitter imago
Puncture: red candy apple subcutaneous bitter or amber side faltering ember flawed
Icarus: is a word she can’t remember stirring green to yellow the profound push to red fingertips outlined against the eyelids.
drops dead over and over again
and winds up staring through limbs alive at blue
Imago Bitter: The main character is a self hating continent.
The Main Character: during afternoon so flawed. The afterimage of being alive.
Icarus: To cover the eyes and stutter into the future.
Imago Bitter: The main character is bathed in burnished knowing forward head first down in ruins and numb.
She falters and her hands surround the head
New Ember: sorrow to forward head first. She hears crows thinks Icarus
Imago Bitter: blue ladder back chair, and its reflection in panic and utter panic
Feckless admission in her throat a specter rise and sets
The Main Character writes
Dear new ember,
Heaven to hollow out fall.
So few words at 2:34. I am a real added to an imaginary where the imaginary is not zero. Ember stay warm, during this winter where we move towards and away the afternoon has filtered out roof lines and
tile lights and a life I can’t imagine and can’t recant.
Take Care,
The Main Character
Icarus: is a word she can’t remember stirring green to yellow the profound push to red fingertips outlined against the eyelids.
drops dead over and over again
and winds up staring through limbs alive at blue
Imago Bitter: The main character is a self hating continent.
The Main Character: during afternoon so flawed. The afterimage of being alive.
Icarus: To cover the eyes and stutter into the future.
Imago Bitter: The main character is bathed in burnished knowing forward head first down in ruins and numb.
She falters and her hands surround the head
New Ember: sorrow to forward head first. She hears crows thinks Icarus
Imago Bitter: blue ladder back chair, and its reflection in panic and utter panic
Feckless admission in her throat a specter rise and sets
The Main Character writes
Dear new ember,
Heaven to hollow out fall.
So few words at 2:34. I am a real added to an imaginary where the imaginary is not zero. Ember stay warm, during this winter where we move towards and away the afternoon has filtered out roof lines and
tile lights and a life I can’t imagine and can’t recant.
Take Care,
The Main Character
Saturday, February 20
LARKIN, HILL AND COLEMAN AT 3 Friends
I'll be performing DARC a neo-benshi for voice and language master at this reading....please come if you'd like!
Larkin, Hill and Coleman at 3 Friends Coffee House Monday, February 22nd (part of the caffeinated art series)
SE 12th and Ash
Portland, OR
7pm
Maryrose Larkin lives in Portland, where she works as a freelance researcher. She is the author of Inverse (nine muses books, 2006), Whimsy Daybook 2007 (FLASH+CARD, 2006), The Book of Ocean (i.e. press, 2007), DARC (FLASH+CARD, 2009) and The name of this intersection is frost (Shearsman Books, Forthcoming). Maryrose is one of the organizers of Spare Room, a Portland-based writing collective, and is co-editor, with Sarah Mangold, of FLASH+CARD, a chapbook and ephemera poetry press.
Jen Coleman is a Portland poet transplanted from Minnesota by way of Wisconsin, DC and then New York. She’s the author of the chapbook Propinquity, and her work has appeared in many excellent journals including Chain, Ixnay and Tangent. She has co-edited the former literary journal Pom-Pom and co-hosted the In Your Ear reading series in DC.
Lindsay Hill was born in San Francisco and is a graduate of Bard College. His published books include Avelaval (Oyez, Berkeley), Archaeology (St. Luke’s, Memphis), Kill Series (Arundel Press, Los Angeles) NdjenFerno (Vatic Hum, San Francisco) and Contango (Singing Horse Press, San Diego). Lindsay lives in Portland, OR with his wife, the painter Nita Hill, and their two children, Ian and Helena.
Larkin, Hill and Coleman at 3 Friends Coffee House Monday, February 22nd (part of the caffeinated art series)
SE 12th and Ash
Portland, OR
7pm
Maryrose Larkin lives in Portland, where she works as a freelance researcher. She is the author of Inverse (nine muses books, 2006), Whimsy Daybook 2007 (FLASH+CARD, 2006), The Book of Ocean (i.e. press, 2007), DARC (FLASH+CARD, 2009) and The name of this intersection is frost (Shearsman Books, Forthcoming). Maryrose is one of the organizers of Spare Room, a Portland-based writing collective, and is co-editor, with Sarah Mangold, of FLASH+CARD, a chapbook and ephemera poetry press.
Jen Coleman is a Portland poet transplanted from Minnesota by way of Wisconsin, DC and then New York. She’s the author of the chapbook Propinquity, and her work has appeared in many excellent journals including Chain, Ixnay and Tangent. She has co-edited the former literary journal Pom-Pom and co-hosted the In Your Ear reading series in DC.
Lindsay Hill was born in San Francisco and is a graduate of Bard College. His published books include Avelaval (Oyez, Berkeley), Archaeology (St. Luke’s, Memphis), Kill Series (Arundel Press, Los Angeles) NdjenFerno (Vatic Hum, San Francisco) and Contango (Singing Horse Press, San Diego). Lindsay lives in Portland, OR with his wife, the painter Nita Hill, and their two children, Ian and Helena.
Wednesday, December 16
Coolidge's Crystal Text Marathon Reading Saturday
Spare Room presents
The Crystal Text
a marathon reading
Saturday, December 19
12:00 pm - finish (5:00ish)
The Waypost Cafe
3120 N. Williams
503-367-3182
www.thewaypost.com
Free admission
(Audience welcome to come and go)
==============================================
The work of heaven or hell: to somehow
become aware of a howling in the motors.
-- (Clark Coolidge, The Crystal Text, 54)
As the solstice approaches, come in out of the wind and join us to listen to Clark Coolidge's compelling booklength poem The Crystal Text, read aloud by a dozen local writers.
Readers will include James Yeary, Jesse Morse, Sam Lohmann, Maryrose Larkin, Rodney Koeneke, Patrick Hartigan, Jen Coleman, Allison Cobb, Joseph Bradshaw, Meredith Blankinship, & David Abel.
"A colorless quartz crystal sits upon the writer's desk, still and irreducible as a death's head in St. Jerome's study or Cezanne's studio. But what would the crystal reveal, if it could speak? How might the issue of its presence be brought into language? The poet of The Crystal Text, by means of a rare stamina of attention and listening vulnerability, seeks to become the medium of the crystal's transmissions."
I began to rise but I could not leave.
Beginning to see, one leaves the world. Taking it
up again and again until the sheets are dark.
An inlet of the sea sharded with sails. The sun
coming up over a blinking multitude, specialty humans
provided for this purpose alone. I am the one who
stays up to see that they do not leave.
Cardboard hinterlands of the drained liquid trace.
Grey distances of chimney and low neighborhood.
Wet snap. (85)
As luck would have it the sun was charring
the fiberglass tufts in the yard even from such a great distance.
A granite shithouse exploded in a cloud of bee odor.
The very earth was tacked to my wall, a ball of
limpid snails. Glass, blown firm, and then the
waterfall in the photograph it reminds me of.
Prose does not care about sharps and flats. It
continues to accumulate in the straightest of language
keys. I put back on my cap, it says. I lost my things
in the race for the car, it says. I am
not interested in the language of my past (my trail),
it says. It says these things and then loses
my interest. Two blanks, curling in the same sun. (87)
Awakened by a bang
or sudden rent of room
a collision of the thinking with
where the thought is not
or negative moon spot
or release of the chimney from
behind the pie tin, night
and left partial, face erased
prepositions for furniture (115)
If anyone is interested in other Spare Room (PDX) events and would like to join our mailing list, please contact me.
The Crystal Text
a marathon reading
Saturday, December 19
12:00 pm - finish (5:00ish)
The Waypost Cafe
3120 N. Williams
503-367-3182
www.thewaypost.com
Free admission
(Audience welcome to come and go)
==============================================
The work of heaven or hell: to somehow
become aware of a howling in the motors.
-- (Clark Coolidge, The Crystal Text, 54)
As the solstice approaches, come in out of the wind and join us to listen to Clark Coolidge's compelling booklength poem The Crystal Text, read aloud by a dozen local writers.
Readers will include James Yeary, Jesse Morse, Sam Lohmann, Maryrose Larkin, Rodney Koeneke, Patrick Hartigan, Jen Coleman, Allison Cobb, Joseph Bradshaw, Meredith Blankinship, & David Abel.
"A colorless quartz crystal sits upon the writer's desk, still and irreducible as a death's head in St. Jerome's study or Cezanne's studio. But what would the crystal reveal, if it could speak? How might the issue of its presence be brought into language? The poet of The Crystal Text, by means of a rare stamina of attention and listening vulnerability, seeks to become the medium of the crystal's transmissions."
I began to rise but I could not leave.
Beginning to see, one leaves the world. Taking it
up again and again until the sheets are dark.
An inlet of the sea sharded with sails. The sun
coming up over a blinking multitude, specialty humans
provided for this purpose alone. I am the one who
stays up to see that they do not leave.
Cardboard hinterlands of the drained liquid trace.
Grey distances of chimney and low neighborhood.
Wet snap. (85)
As luck would have it the sun was charring
the fiberglass tufts in the yard even from such a great distance.
A granite shithouse exploded in a cloud of bee odor.
The very earth was tacked to my wall, a ball of
limpid snails. Glass, blown firm, and then the
waterfall in the photograph it reminds me of.
Prose does not care about sharps and flats. It
continues to accumulate in the straightest of language
keys. I put back on my cap, it says. I lost my things
in the race for the car, it says. I am
not interested in the language of my past (my trail),
it says. It says these things and then loses
my interest. Two blanks, curling in the same sun. (87)
Awakened by a bang
or sudden rent of room
a collision of the thinking with
where the thought is not
or negative moon spot
or release of the chimney from
behind the pie tin, night
and left partial, face erased
prepositions for furniture (115)
If anyone is interested in other Spare Room (PDX) events and would like to join our mailing list, please contact me.
Tuesday, December 1
Little Red Leaves 4
I have the last of the Late Winter 30 in Little Red Leaves 4 and I'm in great company, including my co-editor Sarah Mangold. Please go read!
Friday, November 13
Sunday, August 23
Not always great things, or even good things, but new things.
Whatever code we hack, be it programming language, poetic language, math or music, curves or colourings, we create the possibility of new things entering the world. Not always great things, or even good things, but new things.
From A HACKER MANIFESTO by MCKENZIE WARK
From A HACKER MANIFESTO by MCKENZIE WARK
Wednesday, July 22
The name of this intersection is frost
Shearsman Books will be publishing my manuscript containing Inverse and the Late Winter 30 in Spring 2010.
Sunday, June 7
Spare Room Presents Anne Gorrick and Deborah Woodward
June 14, 2009
Anne Gorrick & Deborah Woodard
Sunday, June 147:30 pm
Concordia Coffee House
2909 NE Alberta
$5.00 suggested donation
Anne Gorrick's first book, Kyotologic, was published in 2008 by Shearsman Books. Collaborating with artist Cynthia Winika, she produced a limited edition artist's book, "Swans, the ice," she said, with grants through the Women's Studio Workshop in Rosendale, NY, and the New York Foundation for the Arts. She also curates the reading series Cadmium Text, which focuses on innovative writing in and around the Hudson Valley.
Deborah Woodard has published three chapbooks of poetry, The Orphan Conducts the Dovehouse Orchestra (Bear Star Press), The Book of Riddles (Boxcar Press), and Hunter Mnemonics (hemel press). Her first full-length collection, Plato's Bad Horse, was published by Bear Star in 2006. The Dragonfly, her translation (with Giuseppe Leporace) of the poetry of Amelia Rosselli, was just published by Chelsea Editions. She teaches at the Richard Hugo House, a community literary center in Seattle.
In March:
not Celadon or Rain
for the Levins
In the alm mill
vellum advances
rhinestone revise
harm
in the method-cell, a meal
bella, mine
Ravel's methanol remarks
pieces of rice
Ella dressed in rice-lace
marc, ave, vin
marsh to vine
through the name mill
and out its sleeve
Anne Gorrick
from Hunter Mnemonics
1
When I was little, I didn't understand why wax paper rustling in some corner
made me fix upon the town like a glint of water or the muffled barking of a dog.
It was quiet here, a silence blunt and practical that tied its laces. And Al's
was no name but a joke the trapper painted across the cover of the well.
I found tin cans and a pair of antlers that almost brought back the tang of your shot,
the monotony of its tuft of smoke. When we got in the clear, we'd reach the cabin.
I imagined red plaid beckoning us forward, milkweed's limbs akimbo.
But I didn't understand why Jerusalem was just a few miles up the road,
or why the town was weaker than its well. So I drew down a flap of the grey sky.
Behind barred windows hunters rested quietly, made for themselves
a different stillness: the woods could never close over these few. I strained
my likeness from them — peeling wax paper from a corner pocked with leave —
the way I strained to protect Jerusalem as I thought through the town.
When I was little, I didn't understand and stood like the cabin unlaced and cold.
A sheet of wax paper rustled inside the cover of the well. I tied my laces.
Deborah Woodard
Tuesday, May 19
Interview and video of Les Figues Blog
Hi---
Laynie Brown interviewed me for the Les Figues Blog here It isn't the most flattering video, ALAS. But it was interesting and fun to do.
Laynie Brown interviewed me for the Les Figues Blog here It isn't the most flattering video, ALAS. But it was interesting and fun to do.
Thursday, May 7
Reading at Antigone Books!
OTHER VOICES WOMEN'S READING SERIES
Friday, May 8, 2009, 7 p.m.
Friday, May 8, 2009, 7 p.m.
Antigone Book store, 411 North 4th Avenue, 792-3715 or lizaporter@aol.com, 891-9707
Featured readers: Maryrose Larkin and Arpine Konyalian Grenier
Featured readers: Maryrose Larkin and Arpine Konyalian Grenier
Open microphone.
Maryrose Larkin lives in Portland, where she works as a freelance researcher. She is the author of Inverse (nine muses books), Whimsy Daybook 2007 (FLASH+CARD), and The Book of Ocean (i.e. press). Maryrose is one of the organizers of Spare Room, and is co-editor, with Sarah Mangold, of FLASH+CARD, a chapbook and ephemera poetry press. She is currently working on a manuscript called Frost Broken Up, and a neo-benshi based on Dreyer's The Passion of Joan of Arc.
Arpine Konyalian Grenier’s work has been described as a mosaic of narrative that takes
us out of our provincial concentration on American life to encompass broader social and
geopolitical issues with a decidedly urban and postmodern sensibility. Arpine is a former scientist,
musician and financial analyst. Her work and translations have appeared in numerous publications
including several anthologies. Recently, she was guest editor for the poetry journal, Big Bridge, and
in May she’ll be reading from her poetry as well as presenting a paper titled, Heritage Like Money Then:
Exaptation at the Margins (Where the Word Meets Itself) at Sabanci University's Dink Memorial
Conference in Istanbul, Turkey. The recipient of a Pima Arts Council Award, and author of three collections
of poetry, Arpine lives in Tucson, Arizona.
Wednesday, March 11
Reading in DC and In New York
Hello Friends, please pass on to anyone who might be interested.
New York--Sunday, March 15, 6:30 PM
Maryrose Larkin/James Belflower/Natalie Knight
@ Zinc Bar, 82 West 3rd Street (btw Thompson & Sullivan)
Washington DC--Sunday, March 22, 7:00 pm
Mark Cunningham, Anne Gorrick, and Maryrose Larkin
@ Bridge Street Books, next to the Four Seasons in Georgetown, at the
end of M street
Hope to see you there.
New York--Sunday, March 15, 6:30 PM
Maryrose Larkin/James Belflower/Natalie Knight
@ Zinc Bar, 82 West 3rd Street (btw Thompson & Sullivan)
Washington DC--Sunday, March 22, 7:00 pm
Mark Cunningham, Anne Gorrick, and Maryrose Larkin
@ Bridge Street Books, next to the Four Seasons in Georgetown, at the
end of M street
Hope to see you there.
Wednesday, February 25
Tuesday, January 27
Friday, January 16
Spare Room 100!
Spare Room's 100th Reading
The Spare Room reading series celebrates seven years of presenting experimental writing in Portland with a marathon hundredth reading
Spare Room organizers past and present (with friends) will read
100 Poems by 100 Poets from the Past 100 Years
Sunday, January 25
starting at 2:00 pm
ending when we finish (6:00? 7:00?)
Free admission
Gallery Homeland
(at the Ford Building)
2505 SE 11th Avenue
www.galleryhomeland.org
www.flim.com/spareroom
======================
> From Helen Adam to Louis Zukofsky, from Futurism to Personism, from Hiroshima to Blackhawk Island, from a Polish count to a Peruvian communist, from Dada to MoMA, from prisoners of war to secret agents, from mimeographers to bloggers . . . come hear a small but representative slice of the extraordinary range of poetries practiced in the past century!
Readers will include:
David Abel
Meredith Blankinship
Joseph Bradshaw
Alicia Cohen
Gale Czerski
Laura Feldman
Patrick Hartigan
Lindsay Hill
Rodney Koeneke
Maryrose Larkin
Sam Lohmann
Jesse Morse
Mark Owens & crew*
Chris Piuma
Dan Raphael
James Yeary
* sound poetry performers:
Leo & Anna Daedalus
Tony Christy
Linda Austin
Lisa Radon with
Neville, Molly, & Oskar
and more . . .
Reading poems by:
Helen Adam
Charles Amirkhanian
Guillaume Apollinaire
Hugo Ball
Ted Berrigan
Mei-mei Berssenbrugge
Robin Blaser
Nicole Brossard
Basil Bunting
Anne Carson
Constantine Cavafy
Joseph Ceravolo
Theresa Hak Kyung Cha
Inger Christiansen
Robert Creeley
Beverly Dahlen
Robert Desnos
H.D.
Francois Dufrene
Robert Duncan
Russell Edson
Jennifer Crystal Fang-Chien
Kevin Goodan
Linda Gregg
Bill Griffiths
Barbara Guest
Carla Harryman
Dick Higgins
Ake Hodell
Fanny Howe
Susan Howe
Philip Jenks
Karen Kelley
Aleksei Kruchenyk
Gerrit Lansing
Jackson Mac Low
Bernadette Mayer
Marianne Moore
Christian Morgenstern
Harryette Mullen
Susan Smith Nash
bp nichol
Lorine Niedecker
Alice Notley
Frank O'Hara
George Oppen
Michael Palmer
Bob Perelman
Dennis Phillips
Laura Riding
Joan Retallack
Gerhard Rühm
Diana Saenz
Frank Samperi
Aram Saroyan
Kurt Schwitters
David Shapiro
Charles Sharpe
Ron Silliman
Gustaf Sobin
Jack Spicer
Gertrude Stein
Wallace Stevens
Rhett Stuart
Cole Swenson
John Taggart
Nathaniel Tarn
Alberta Turner
César Vallejo
Lew Welch
Hannah Weiner
Jonathan Williams
William Carlos Williams
C.D. Wright
Araki Yasusada
Louis Zukofsky
and many more!
The Spare Room reading series celebrates seven years of presenting experimental writing in Portland with a marathon hundredth reading
Spare Room organizers past and present (with friends) will read
100 Poems by 100 Poets from the Past 100 Years
Sunday, January 25
starting at 2:00 pm
ending when we finish (6:00? 7:00?)
Free admission
Gallery Homeland
(at the Ford Building)
2505 SE 11th Avenue
www.galleryhomeland.org
www.flim.com/spareroom
======================
> From Helen Adam to Louis Zukofsky, from Futurism to Personism, from Hiroshima to Blackhawk Island, from a Polish count to a Peruvian communist, from Dada to MoMA, from prisoners of war to secret agents, from mimeographers to bloggers . . . come hear a small but representative slice of the extraordinary range of poetries practiced in the past century!
Readers will include:
David Abel
Meredith Blankinship
Joseph Bradshaw
Alicia Cohen
Gale Czerski
Laura Feldman
Patrick Hartigan
Lindsay Hill
Rodney Koeneke
Maryrose Larkin
Sam Lohmann
Jesse Morse
Mark Owens & crew*
Chris Piuma
Dan Raphael
James Yeary
* sound poetry performers:
Leo & Anna Daedalus
Tony Christy
Linda Austin
Lisa Radon with
Neville, Molly, & Oskar
and more . . .
Reading poems by:
Helen Adam
Charles Amirkhanian
Guillaume Apollinaire
Hugo Ball
Ted Berrigan
Mei-mei Berssenbrugge
Robin Blaser
Nicole Brossard
Basil Bunting
Anne Carson
Constantine Cavafy
Joseph Ceravolo
Theresa Hak Kyung Cha
Inger Christiansen
Robert Creeley
Beverly Dahlen
Robert Desnos
H.D.
Francois Dufrene
Robert Duncan
Russell Edson
Jennifer Crystal Fang-Chien
Kevin Goodan
Linda Gregg
Bill Griffiths
Barbara Guest
Carla Harryman
Dick Higgins
Ake Hodell
Fanny Howe
Susan Howe
Philip Jenks
Karen Kelley
Aleksei Kruchenyk
Gerrit Lansing
Jackson Mac Low
Bernadette Mayer
Marianne Moore
Christian Morgenstern
Harryette Mullen
Susan Smith Nash
bp nichol
Lorine Niedecker
Alice Notley
Frank O'Hara
George Oppen
Michael Palmer
Bob Perelman
Dennis Phillips
Laura Riding
Joan Retallack
Gerhard Rühm
Diana Saenz
Frank Samperi
Aram Saroyan
Kurt Schwitters
David Shapiro
Charles Sharpe
Ron Silliman
Gustaf Sobin
Jack Spicer
Gertrude Stein
Wallace Stevens
Rhett Stuart
Cole Swenson
John Taggart
Nathaniel Tarn
Alberta Turner
César Vallejo
Lew Welch
Hannah Weiner
Jonathan Williams
William Carlos Williams
C.D. Wright
Araki Yasusada
Louis Zukofsky
and many more!
Wednesday, January 14
Thursday, January 8
Endi's a really terrific poet! You should come
Sunday, January 11
7:30 pm
Concordia Coffee House
2909 NE Alberta
$5.00 suggested donation
Endi Bogue Hartigan will be reading from her first book, One Sun Storm, and from a new manuscript. One Sun Storm was selected for the 2008 Colorado Prize for Poetry by Martha Ronk, and was released in November from the Center for Literary Publishing. Her work has recently appeared or is forthcoming in Chicago Review, Free Verse, TinFish, Gulf Coast, Pleiades, and Quarterly West. Endi edited and cofounded, with her husband poet Patrick Hartigan, Spectaculum, a magazine that was devoted to long poems, series, and projects best presented at length. She lives in Portland, with Patrick and their son Jackson.
Maryrose Larkin lives in Portland, where she works as a freelance researcher. She is the author of Inverse (nine muses books), Whimsy Daybook 2007 (FLASH+CARD), and The Book of Ocean (i.e. press). Her work can also be found in FO A RM, Insurance, Bird Dog, Columbia Poetry Review, and Washington Review. Maryrose is one of the organizers of Spare Room, and is coeditor, with Sarah Mangold, of FLASH+CARD, a chapbook and ephemera poetry press.
Chorus of blue [Crater Lake, 2007]
The question of change
is a question of what we can afford to continue.
A series of snapping points or rips.
The lake is a question
of what the mountain can take or not.
The chorus afforded blue but barely.
The chorus of blue sang out of thin voices in oxygen-thin air.
The blue vibrated electrons in water and absorbed
what was not turned back.
We turned our backs on the war.
The chorus of blue tilted our eyes, and filterering, taught us to filter,
but out what?
The chorus of blue held itself up, a mirror of itself, fanatic and fantastic.
Abstract blue--a new coin--took the center
through, through.
We turned our backs on the lake.
A series of snapping points or rips.
The chorus filtered out disturbance, filtered out detail and violence
and observance.
Tilt, shine, tilt. . . .
what did we shed again, and why?
A little girl went back sobbing
who had to leave the clearest sky.
Endi Bogue Hartigan
from Inverse
Roots open rise and run
his face compare to string notation
logic
required and where
but this cannot and without it
box step the sun and box step the moon
Maryrose Larkin
Endi Bogue Hartigan & Maryrose Larkin
Sunday, January 11
7:30 pm
Concordia Coffee House
2909 NE Alberta
$5.00 suggested donation
Endi Bogue Hartigan will be reading from her first book, One Sun Storm, and from a new manuscript. One Sun Storm was selected for the 2008 Colorado Prize for Poetry by Martha Ronk, and was released in November from the Center for Literary Publishing. Her work has recently appeared or is forthcoming in Chicago Review, Free Verse, TinFish, Gulf Coast, Pleiades, and Quarterly West. Endi edited and cofounded, with her husband poet Patrick Hartigan, Spectaculum, a magazine that was devoted to long poems, series, and projects best presented at length. She lives in Portland, with Patrick and their son Jackson.
Maryrose Larkin lives in Portland, where she works as a freelance researcher. She is the author of Inverse (nine muses books), Whimsy Daybook 2007 (FLASH+CARD), and The Book of Ocean (i.e. press). Her work can also be found in FO A RM, Insurance, Bird Dog, Columbia Poetry Review, and Washington Review. Maryrose is one of the organizers of Spare Room, and is coeditor, with Sarah Mangold, of FLASH+CARD, a chapbook and ephemera poetry press.
Chorus of blue [Crater Lake, 2007]
The question of change
is a question of what we can afford to continue.
A series of snapping points or rips.
The lake is a question
of what the mountain can take or not.
The chorus afforded blue but barely.
The chorus of blue sang out of thin voices in oxygen-thin air.
The blue vibrated electrons in water and absorbed
what was not turned back.
We turned our backs on the war.
The chorus of blue tilted our eyes, and filterering, taught us to filter,
but out what?
The chorus of blue held itself up, a mirror of itself, fanatic and fantastic.
Abstract blue--a new coin--took the center
through, through.
We turned our backs on the lake.
A series of snapping points or rips.
The chorus filtered out disturbance, filtered out detail and violence
and observance.
Tilt, shine, tilt. . . .
what did we shed again, and why?
A little girl went back sobbing
who had to leave the clearest sky.
Endi Bogue Hartigan
from Inverse
Roots open rise and run
his face compare to string notation
logic
required and where
but this cannot and without it
box step the sun and box step the moon
Maryrose Larkin
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